TWiP Talks 40: Inside the Wedding School with Susan Stripling
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In this interview I sit down with Susan Stripling, co-founder of the newly launched “The Wedding School“. We discuss the inception of this school, their approach to online education, and what learners can look forward to in the coming months!
Susan has been photographing weddings for almost fifteen years. She's won multiple awards at the WPPI 16×20 print competition including the Grand Award in Wedding Photojournalism and the Grand Award in Weddings. This year she reached Triple Master status at WPPI, something she is quite proud of. Susan has been an educator for Photo Plus, WPPI, PPA, and Creative Live.
The Wedding School to bring real, honest education to wedding photographers worldwide. Susan likes reading, annoying people by talking about Crossfit, trying to persuade everyone in the world to listen to Hamilton, watching horror movies, sleeping with the lights on, and spending time with her husband, stepkids, daughters, and Chloe the dog.
Oheka Castle has such marvelous locations for wedding pictures. One of those locations is the stairwell in their main lobby. Featured in such places as Taylor Swift’s “Blank Space” video, the TV show Royal Pains, and movies such as Citizen Kane, Oheka’s ornate lobby is a site to behold. Build nearly one hundred years ago by Otto Hermann Kahn, Oheka still remains the second biggest private home ever constructed in the United States. It boasts one hundred and twenty-seven rooms, over a hundred thousand square feet of space, and is one of my favorite locations to shoot wedding photographs! After being abandoned for years in the 1980’s, Oheka was eventually purchased by Gary Melius, a developer. Under the careful instruction of historians and architects, every detail was meticulously rebuilt. It took two years. Oheka Castle can be found on the National Register of Historic Places. It is also one of the Historic Hotels of America. Many wedding clients love having their wedding pictures taken on the Grand Staircase at Oheka Castle. I can totally understand why! The ornate metal railings are truly beautiful. The split staircase is elegant in its’ symmetry. The light that pours into the lobby from the two tall front doors is really gorgeous. Oheka’s lobby has a quiet grace about it, and it’s a great site for wedding portraits and photographs. We often create family portraits in this location. The middle landing is a great place to pose your bridal party, bridesmaids, groomsmen, and family formal portraits. This location makes for a great, iconic Oheka look to your formal wedding day portraits. At this particular wedding, we found ourselves in the lobby at exactly the right time! The light was streaming through the window to the left of the staircase in a way that I had never seen it do before. It was such a fleeting experience, as it was gone not ten minutes later! Everything that makes Oheka Castle so charming came together into one amazing bridal portrait, all at once. The sun streamed through the window. The sconces and overhead chandelier glowed perfectly, adding a deep warmth to the atmosphere of the space. The pose of the bride was natural and graceful. Her Vera Wang dress was perfectly illuminated by the light coming through the windows. It was a wonderful honor to be in that place, at that time, seeing the image come together so flawlessly. Clients often ask how I pose images like this. How does the bride know where to stand? Where to place her hands, her arms? Where to look? In this instance, I requested that the bride stand directly in the light coming through the window. That lit her face to perfection. From there, I just asked her to play with the skirt of her dress with her left hand. That gave a natural grace and movement to the pose, so that it didn’t look stiff or overly manufactured. The bride is a gorgeous woman inside and out, and I truly loved capturing this portrait for her and her family.
It’s always fascinating to read reviews of Oheka Castle online. Brides, grooms, families, and other guests don’t just like this New York wedding venue. They LOVE it. They talk about the soaring ceilings, beautiful ballroom, meticulous lawns, and amazing bridal suite. What they don’t talk about is the light. Oheka Castle is one of my favorite locations for wedding photography and wedding day portraits of brides, grooms, and bridal parties because the light is so spectacular. There are larger locations for great light, suitable for portraits. One of those locations is the Terrace Lawn and the Back Gardens. Meticulously maintained and landscaped, these beautiful outdoor locations are the perfect place for your bridal portraits, pictures of the bride and groom together, family formal portraits, and ceremony images. I love watching the sun cross the sky in these locations, watching it set perfectly over the golf course in the distance. I’ve seen some of the most spectacular sunsets at Oheka Castle! There are many indoor locations with spectacular light as well. The Grand Ballroom has huge windows that let in beautiful sunlight at all times during the day. The formal Dining Room and Terrace Room also have dazzling light, perfect for portraits of the bride and groom. One of my favorite rooms is the Library. When the sun starts to set, the entire library turns gold. The light pours in through the doors and windows, skating across the wooden floors and burnishing the walls with a golden glow. The indoor areas are so amazing that if it rains during your Oheka Castle wedding day, we have plenty of places to take pictures inside! I’ve talked about the rooms and lawns with brilliant light, but I haven’t talked about the small patches of light that are so incredible. I have come across beautifully lit areas on the stairs, in the hallways, under skylights, and near windows. While these light sources might not be big enough to take bridal party pictures, pictures of the bride and groom together, or family pictures, they’re certainly big enough for compelling detail images. While shooting this wedding at Oheka Castle with the incomparable Rob Adams Films, I found myself in the bride’s getting-ready room for the detail portion of the day. We were waiting to be able to check into the bridal suite, and the room we were in was cozy and small. I was shooting the bride’s immaculate Vera Wang wedding gown when I saw a patch of light dancing across a small desk in the Oheka Castle hotel room. I placed the bride and groom’s wedding invitation directly in the light. From there, I got the engagement ring from the bride and placed it perfectly in the pool of light. It illuminated the ring, while still allowing for beautiful shadow and light in the background of the image. When shooting images of the details on the wedding day, I don’t just aim to take pretty wedding detail pictures. I am striving to create environmental portraits of these details. I want to show the time, place, and location that the bride and groom are getting married in. I want the foreground and background of the wedding day detail image to be compelling and meaningful. Using the wedding invitation in this image really personalized this wedding ring shot for the bride and groom. This whole day was filled with brilliant light, and I was so pleased to start seeing that light so early in the day!
Every year I choose a select number of images to enter into the WPPI 16×20 International Print Competition. Judged every spring at the annual convention in Las Vegas the print competition pushes me to create stronger images that tell a clearer story. This image won First Place in the Wedding Details category in 2014 and I am extraordinarily proud of this photograph. I was photographing a bride getting ready at a synagogue on the Upper East Side in Manhattan and I was struggling with finding a good location to take a clear, beautiful picture of the bride’s wedding dress. I saw these gorgeous arched windows in the synagogue and wished that I could put the dress in the window – and then I saw the balcony. Very, very carefully and with the help of my assistant I climbed the stairs to the balcony and hung the dress in the window. Was it dangerous to climb up there? Possibly. But was so, so very worth it.
It is always a joy to be invited to photograph a wedding at a clients’ private home. The bride from this wedding had a family home in the Hamptons and the wedding was held on the beach behind her home. The tented wedding reception took place on her side lawn and was a wonderfully intimate, joyous party. Photographing Hamptons weddings in the summer are a great joy since the weather is almost always guaranteed to be gorgeous! While it rained and the sky was grey early in the day when the bride was ready to walk down the aisle the clouds parted and the sun began to shine. The weather was beautiful during the ceremony and then began raining again, creating a wonderfully cozy feel to their reception. This incredible wedding was also host to some of the most heartfelt, delightful wedding toasts that I have ever witnessed. This photo is of the bride’s father as he toasted his daughter and her new husband. I photographed this picture with a 24mm lens to create a wide scene and really show the entire reception tent. The balls of light were so bright that when I juxtaposed the father of the bride against them I was able to make a perfect silhouette of his head against the lantern. I made sure that I was angled perfectly to place his face precisely in the middle of the paper light. This is one of my favorite images that I photographed in 2009 and it was an overwhelming honor to have it win the 16×20 International Print Competition Wedding Photojournalism category at WPPI. The picture also went on to win the Grand Award in Photojournalism, one of only a handful of Grand Awards given out at the competition. Being awarded by my peers in such a prestigious competition was incredible and continues to inspire me to create memorable, compelling images for my clients and their families.
When you think of luxury in Manhattan you think of the Plaza. It derives its’ name from its’ location at the corner of Grand Army Plaza, right at the junction of Central Park South and Manhattan’s iconic Fifth Avenue. In 1969, the Plaza was given status as a landmark by the New York City Landmarks Preservation Commission. In 1986, it was named as a National Historic Landmark. From the Palm Court’s stained glass ceilings to the delicacy of the Champagne bar, the Terrace Room to the Edwardian Room, the Plaza is the epitome of class and luxury. I love photographing weddings at this sumptuous hotel. The suites are superb, the lighting is lovely, and there are many, many locations to create exquisite portraits. At this 2014 winter Plaza wedding the bride and groom braved the cold for some portraits, but we ended up inside to finish out their portrait session. I absolutely adore this image of them simply sitting in this window. I got as close to the ground as I possibly could so that I could capture the reflection in the floor as clearly as I was able. I love the mirrored image in the floor. I love the gorgeous lighting coming from the window and how it matches the warmth of the Plaza walls. Most of all I love the sweetly natural interaction between the bride and groom. Without that the portrait would not be as impactful!
I am always looking for something new every time I photograph a wedding. Whether it’s an interesting new portrait location or a new way of photographing light I feel that it’s my job to make something different and unique for each wedding client. At this November 2010 wedding at the Merion in Cinnaminon, New Jersey the bride had requested portraits of she and her groom by the river in East Brunswick’s Bicentennial Park. After completing the portraits in this location we were walking back to our limo to head over to the Merion and I saw the most incredible light under the bridge we were parked by. Most photographers would walk right by a dirty overpass but I wanted to take the chance to make a unique portrait of the bride. I am always so thankful when my clients trust my vision and know that I have a plan when I ask them to walk under a dirty bridge in their wedding gown! I positioned the bride so that her face was directly in the shaft of sunlight and turned her body so that the breeze blew her veil in the precise direction I wanted it to go. My assistant stood just off to the side to unwrap the veil from around the bride when the wind got too intense and to help it flow properly. My only instruction to the bride was to “play with your veil.” While such a request might seem vague and unfocused I find that giving my clients basic instruction leaves it open for interpretation. I completely understand that twirling around under a bridge, in the wind, with your veil wrapped around your head and your eyes closed might not be the most natural-feeling thing in the world so I always strive to make my clients as comfortable as possible and understand that most people don’t feel natural in front of the camera right away. This image ended up being one of my favorite images I made in 2010 and it was because my client trusted me that this photograph was made possible!
Philadelphia winter weddings are so beautiful. There is something so special about the gorgeous architecture of Philadelphia under a blanket of white snow. At this Philly winter wedding, the bride got ready with her bridesmaids at her parents’ house in the suburbs before heading to the church for her wedding ceremony. When it’s raining or snowing outside, I always ask my clients if they’re comfortable going outdoors for portraits. I don’t ever want brides or grooms to go out in inclement weather if they’re not okay with it! This bride was totally willing to endure the snow for a few beautiful portraits, so we stepped into the street with her bridesmaids for a few quick images. I am so grateful and thankful to her and those ladies for braving that snow! What started out as a few simple flurries rapidly turned into a snowstorm, but they were willing to go out anyhow. If it’s snowing on your wedding day, and you want to go outside, let’s do it! If you’re not comfortable with being out in the wet snow, don’t worry about it. We can still make beautiful images indoors! The most important thing to me is your comfort, and I never want you to do anything that you don’t want to just for a few portraits!
I love every single thing about this portrait and the bride in it. In 2013 I traveled to Cape Cod to photograph a wedding at a private home by the water on the Cape and it was wonderful to explore somewhere that I’d never photographed a wedding before. I got to the home early that day to scout the location and was immediately drawn to a towering thicket and the narrow tunnel that cut through it. I knew that I wanted to use that space for some portraits and I hoped that the beautiful light would carry on through the day so that I could use it beautifully when the time came to shoot in that location. The bride and groom saw each other for the first time that wedding day at 3:00pm and in June the light is still strong, bright, and almost directly overhead. I know that if I used that location for a portrait the light would be coming down hard right on top of the bride’s head. I had the bride tip her head downwards so that the pose was more serene and also so that the light would cover her entire birdcage veil. I absolutely love this portrait. I entered it into the 2014 WPPI 16×20 International Print Competition and was thrilled with my final score! It also hung in the background for the 30 Days of Wedding Photography course that I taught for Creative Live in the spring of 2014.
At this 2012 Lighthouse at Chelsea Piers wedding the bride and groom rented a vintage New York taxi to take them around the city for their portraits. They requested some pictures with this cab, and I was only too happy to oblige. Whenever I have a request to take a photograph of the bride and groom in front of an item, vehicle, or building I try to approach it in a slightly new and different way. We had been at the High Line taking photographs of the bride and groom together, and were getting ready to head back over to the Lighthouse for their ceremony. The cab was waiting for us down at the curb. When I looked down on the cab from the High Line staircase, I knew I had an opportunity to make a creative photograph of the scene before me. I placed the bride and groom next to the front of the cab, and I climbed the stairs back up onto the High Line. This image was shot through the metal fence of the High Line. I love it that the pattern of the dots lead your eye directly to the bride, groom, and cab. I was thrilled to be able to give the bride and groom something other than your standard picture of them just standing in front of the car.
A winter Oheka castle wedding is truly a sight to see. Oheka is majestic enough, with it’s sprawling lawns and pristine architecture. But to see Oheka rising up from the long driveway, snow swirling around it’s exterior and blanketing the great lawns, is truly extraordinary. It takes a brave bride to plan a winter wedding in the northeast, since you never know when a snowstorm will derail your wedding plans! If it all works out, though, and you get a sweet dusting of snow on your wedding day, it really can add something special. This winter wedding at Oheka castle in Huntington, New York, was sweetness from start to finish. The bride and groom are the most lovely, kind, charming people. The venue was intimate and warm, a great contrast to the snowy outdoors. The light was that brilliant winter light, so sharp and brittle, and so very crisp. Right before the ceremony was set to begin, the bride, groom, bridal party, and families were sequestered in the Oheka library to wait. The guests were being seated, and the wedding ceremony was about to start. The bride was sitting in the most brilliant patch of light, that crystalline-perfect winter light that I adore so much. She was adjusting the bow tie of the little ring bearer, and the scene was perfect.
I make no secret of the fact that I love sunny days. I love using the bright, dramatic sun in my wedding portraits. On the day of this 2013 Maritime Parc wedding the sun never made a single appearance. The entire day was cloudy, damp, and with a mist hanging over the Manhattan skyline. During the portrait session of the bride and groom in Liberty State Park I actually adored the weather. What I wanted to be bright and vivid was quiet and muted. I love the dreamy, misty ambience of the images from this portrait session and I especially love the dreamlike appearance of Manhattan in the background of this photograph. Compressed away from the bride and groom by my use of the Nikon 70-200mm lens, the background takes on an almost watercolor look. While this doesn’t reduce my love for the bright sunshine it does strengthen my affection for cloudy days!
Oheka Castle has such marvelous locations for wedding pictures. One of those locations is the stairwell in their main lobby. Featured in such places as Taylor Swift’s “Blank Space” video, the TV show Royal Pains, and movies such as Citizen Kane, Oheka’s ornate lobby is a site to behold. Build nearly one hundred years ago by Otto Hermann Kahn, Oheka still remains the second biggest private home ever constructed in the United States. It boasts one hundred and twenty-seven rooms, over a hundred thousand square feet of space, and is one of my favorite locations to shoot wedding photographs! After being abandoned for years in the 1980’s, Oheka was eventually purchased by Gary Melius, a developer. Under the careful instruction of historians and architects, every detail was meticulously rebuilt. It took two years. Oheka Castle can be found on the National Register of Historic Places. It is also one of the Historic Hotels of America. Many wedding clients love having their wedding pictures taken on the Grand Staircase at Oheka Castle. I can totally understand why! The ornate metal railings are truly beautiful. The split staircase is elegant in its’ symmetry. The light that pours into the lobby from the two tall front doors is really gorgeous. Oheka’s lobby has a quiet grace about it, and it’s a great site for wedding portraits and photographs. We often create family portraits in this location. The middle landing is a great place to pose your bridal party, bridesmaids, groomsmen, and family formal portraits. This location makes for a great, iconic Oheka look to your formal wedding day portraits. At this particular wedding, we found ourselves in the lobby at exactly the right time! The light was streaming through the window to the left of the staircase in a way that I had never seen it do before. It was such a fleeting experience, as it was gone not ten minutes later! Everything that makes Oheka Castle so charming came together into one amazing bridal portrait, all at once. The sun streamed through the window. The sconces and overhead chandelier glowed perfectly, adding a deep warmth to the atmosphere of the space. The pose of the bride was natural and graceful. Her Vera Wang dress was perfectly illuminated by the light coming through the windows. It was a wonderful honor to be in that place, at that time, seeing the image come together so flawlessly. Clients often ask how I pose images like this. How does the bride know where to stand? Where to place her hands, her arms? Where to look? In this instance, I requested that the bride stand directly in the light coming through the window. That lit her face to perfection. From there, I just asked her to play with the skirt of her dress with her left hand. That gave a natural grace and movement to the pose, so that it didn’t look stiff or overly manufactured. The bride is a gorgeous woman inside and out, and I truly loved capturing this portrait for her and her family. TWO There are so many Oheka Castle locations for great wedding pics. I love the back lawn, and how the manicured gardens stretch away from the grandeur of the castle. I love the ornate gazebo at the back of the gardens, covered in ivy and trailing vines. The multiple reflecting pools in the back gardens provide incredible backdrops, as does the huge fountain in the middle of the back lawn. Also on the back lawn are the two small side paths, lined with tall trees and arching branches. In the front of Oheka Castle there are a multitude of great picture locations. I love the long path up the driveway to the castle, and how the manicured trees perfectly flank the long gravel drive. I love the small arched building you drive through just before reaching the front of the castle. Taylor Swift fans might remember that long path and beautiful courtyard from her “Blank Space” music video, which was shot at Oheka Castle! Once inside, wedding photographers have a variety of incredible locations to take wedding pictures, starting in the bridal suite. The arched fabric by the huge double doors provides an amazing backdrop for getting ready pictures and bridal portraits. The balcony outside the bridal suite provides a sweeping view of the back lawn. The library has incredible light, even in the winter. Each of the ballrooms have unique locations for wedding pictures. My favorite location for wedding pictures at Oheka Castle, by far, is the front foyer. You might just think of it as a lobby area, but I see a multitude of amazing picture locations! I’ve taken family portraits, bridal party portraits, and images of the bridesmaids and groomsmen on the ornate symmetrical staircase in the foyer. I’ve shot many bridal portraits on the stairs there as well. One thing that I feel sets me apart from other New York, New Jersey, and Brooklyn-based wedding photographers is my use of light. I excel at finding beautiful light in unconventional places. I am also quite good at choosing unusual locations for portraits that other wedding photographers might not see, or think to use. This portrait perfectly exemplifies what I mean by that! I love creating portraits that make the viewer think, “Where was that taken?” Where was this taken in Oheka Castle? I’ll never tell. It could be in that lobby that I love so much. It could be somewhere else. My point is that it’s important that your wedding photographer be able to make beautiful images no matter where the location is, no matter what the conditions of the wedding day. Whether it’s raining or sunny, snowing or one hundred degrees outside, wedding photographers have to learn to excel in all situations. That includes finding light in unconventional places! It also includes turning an ordinary background into an extraordinary portrait location. I also feel that one of my strengths as a wedding photographer is my ability to create scenarios for my clients wherein they can feel free to be themselves. I’m not the photographer that will pose their client to excess. I don’t want my clients to look back on their wedding images and remember me guiding them from pose to pose. I want them to remember how they felt, how they looked at each other, and what the moment was like. You can’t pose a moment! It’s my job to set the scene for the moment to happen, and then watch it unfold. While I might direct my clients to stand in good light, to be in front of a wonderful background, and to be in a specific location, I’m never going to tell them how to behave or act. This image exemplifies that as well. This is a natural moment between a bride and groom! The story behind this image is actually quite simple. The bride had been posing for bridal portraits in front of this dark background, in this marvelous light. She realized that she had left her Pnina Tornai wedding gloves up in her room. People were dispatched to fetch the gloves. When the gloves arrived to the bride, her groom stepped up to help her put them on. This resulted in a series of beautiful moments between bride and groom. This one was my favorite. It was the moment her gloves were all the way on, when they stopped and took a few seconds alone together. These are the moments that cannot be scripted. This is life as it happens. The scene had been set, but the bride and groom provided the moment. If you retain my services for your Oheka Castle wedding, you will receive the same loving care that I put into creating this portrait. I will always be striving to find new and interesting portrait locations in Oheka Castle, and I know there are so many more to discover. It’s an excellent place for a Long Island wedding, and I look forward to many, many more weddings there. Entered into WPPI’s prestigious print competition, this image received a gold award and a score of 90. I could not be more proud of that score, as it helped me reach my triple master status with WPPI. This is something that not many photographers have achieved, and I am so very proud to call myself a Triple Master at WPPI. This image then went on to win First Place in the Weddings : Bride and Groom Together category. As if that wasn’t humbling enough, it then went on to win the Grand Award. The Grand Award occurs when all of the first place images are judged together. The Wedding category includes Bride and Groom Together, Bride or Groom Alone, Bridal Party, and Wedding Details. I am utterly stunned and honored to have received that award for this print. It’s an honor above all other honors, and for that I am deeply grateful.
There is not a single thing that I dislike about a Grand Historic Venue wedding. The venue is so perfectly suited for my style of photography. First known as the Tremont Grand, the Grand Historic Venue was built in 1866 as the Grand Lodge of the Maryland Masonic Temple. It was the headquarters for the Maryland Freemasons for over a hundred years, becoming the Tremont Grand in 2005. I am especially crazy about the Library. With it’s dark walls and gorgeous windows, the Library is my ideal setting. I can use the light coming through those windows in dramatic ways, at all hours of the day, in all kinds of weather. The Corinthian Room and the Roman Strada are beautiful spaces as well. On the first floor, the Marble Room is really extraordinary. I also love the Mirror Room and Edinburgh Hall. This venue is extremely convenient, since it attaches directly to the hotel, with great room to start the day off in. This image is especially near and dear to my heart, because it’s a journalistic moment, and we all know how hard those are to capture. You have to find the light, angle yourself perfectly, wait for a moment to occur, and capture it without any interaction with the clients or the scene. When moments like this one happen, they’re a true gift. I mean that photographically, because what wedding photographer wouldn’t want this scene to unfold in front of his or her camera? I also mean that personally, since witnessing such an outpouring of love is really humbling and a huge honor. There are so, so many things that I adore about this image. I love the delicate movement of the mother of the bride as she takes her glasses off to wipe the tears from her eyes. I love that you can’t see the bride’s face, but you can still feel her emotion as she pulls her dad in for a hug. I love every single thing about the father of the bride, from the handkerchief clutched in his hand, to the way he’s holding his daughter’s arm, to the absolutely phenomenal expression on his wonderful face. This moment moved me to tears behind the camera, and I can only hope that it’s as priceless to my clients as it is to me. I had this image printed in black and white, so that the emotion was front and center, with no distractions. I entered this image into the 16×20 print competition at WPPI in 2015 and it scored an 89. I wish it had scored higher, but it was great to hear the judges debate the print, with some pushing for an extremely high score during a challenge. This image ended up winning second place in the category of Wedding Photojournalism, which is an incredible honor. I hope that my clients know how meaningful the moment was for me to witness, and how honored I was to be present for it. The bride and her parents have such a beautiful relationship, and I feel that this image will immortalize it for generations to come.
I absolutely love photographing weddings at the Liberty Warehouse in Red Hook, Brooklyn. I also absolutely love photographing Jewish weddings. I am so honored to document the beautiful traditions and customs of Jewish weddings. One of the loveliest moments at a Jewish wedding ceremony is the signing of the ketubah. At this ketubah signing, the bride and groom were surrounded by their rabbi, family, and dearest friends. The light from the window was precisely what I love best about light : dramatic, while also flattering and fascinating. I positioned myself so that the light fell perfectly on the faces of the bride, groom, and the others seated at the table. I also made sure that my position would allow me to frame the rabbi as a silhouette in the window. I exposed perfectly for the faces of the bride and groom, and that ensured that the rabbi would become the silhouette that I desired. I was shooting in aperture priority, so that meant that I had to dial my exposure compensation down almost two stops to achieve the correct exposure. This image was entered into the 2015 WPPI 16×20 print competition as one of my favorite photojournalistic moments of the year. It received a score of 86, which is excellent. The Wedding Photojournalism category is my absolutely favorite to enter in print competition, because the images have to be natural, unposed, and undirected. You also have to compose perfectly, light your subject without interacting, and capture that elusive, fleeting moment – all at once, with no direction or interaction. It’s fiendishly difficult to do, which is why I love these moments all the more. They’re the cumulation of my skill as a photographer as well as an observer.
I used to photograph a lot of destination weddings, and a Pelican Hill wedding was always at the top of my “must shoot” list. Rated the “#1 Resort in the United States” by Conde Nast Traveler, this amazing Newport Beach resort epitomizes everything you think about Southern California luxury. Stunning beaches, beautiful lush greenery, jaw-dropping sunsets, and charming warmth abound, and I loved shooting here for the first time in 2014. I was immediately captivated by the olive trees, the lavender, and the absolutely killer views of the Pacific ocean. It was also amazing to work with a fantastic team of vendors. Alicia with Details Details kept the day running smoothly and with great grace. Paul Norton Hair and Lesley Thornton Beauty created the bride’s gorgeously elegant look. Elysium Productions was the wedding cinematographer, and I am always in awe of their beautiful films. West Coast Music provided the reception entertainment, and White Lilac, Inc. did a mind-blowing job with the floral design of the day. The staff at Pelican Hill took extraordinary care of my clients, and were so incredibly nice to us, as well. It’s always great to work at a venue who treats the other vendors like friends! Despite the drizzle on the wedding day, the bride and groom were in great spirits, and were willing to foray off the beaten path for their wedding day portraits. I especially appreciate their not laughing at me or thinking that I was crazy when I laid face-down in a sand trap to take this portrait! This image, entered into WPPI’s prestigious 16×20 print competition in 2015, received a score of a 90. A score of 90 to a 94 means that the image is “Outstanding…exhibiting exceptional skills in all areas.” I could not have been more thrilled with this score. I wish the image had gone on to place first, second, or third in the category of Bride and Groom Together, Wedding Day, but the score of 90 was so fantastic that I don’t entirely mind not taking home a trophy. (Okay, that’s not true, I love taking home trophies, but the score IS excellent!) I hope that one day my travels take me back to Pelican Hill. I’d love to shoot a wedding there in the luscious golden light that Southern California is so famous for. I’d also love to further explore the grounds of Pelican Hill, showing my clients that I can see that location in ways different than other photographers. We had a wonderful amount of time post-ceremony for portraits, but I’d love to have a few hours on the property to really see it all, taking advantage of all of the picturesque locations for portraits.
Every year I made pictures that I love. I have images that I deliver to my clients and I am proud of each and every one. I have images that I add to my website or Facebook business page and I am thrilled with each of those images. Then we have the competition images – and those are a different type of image. I compete regularly in competitions such as Fearless Photographers and the WPPI 16×20 International Print Competition and choosing images for them requires careful scrutiny. Everything is analyzed during a print competition, from the expressions on the subjects faces to the horizon lines in the background. When preparing my entries for the WPPI 16×20 Print Competition in the Wedding Photojournalism division this was one of my favorite images of the year. This image was taken during the First Look at a 2013 wedding at the Pine Hollow Country Club in East Norwich, New York. The bride had requested to see her groom for the first time at the bottom of this staircase. While waiting for his fiancee to walk towards him the groom went to the window and began staring out. The bride, having positioned herself at the top of the stairs, began walking down. I waited on the stairwell and captured this frame the second the bride crossed in front of the upstairs window, perfectly mirroring her groom one floor below. This image fits the Photojournalism category because I had no hand in how it was made. The bride walked on her own from a position of her own choosing and the groom stood at the window without being prompted. I love the tones in the post-processing of the image. I love the motion of the bride juxtaposed against the static pose of the groom. I love the grandeur of the staircase and the beautiful pendant lamp. I was honored to document this moment and it remains one of my favorite images from 2013.
It is always a treat to photograph a wedding in a location that I’ve never shot at before. In 2011 I traveled to the Dominican Republic and photographed a wedding side by side with my husband – something we had never done before and haven’t done since! The bride and groom commissioned both of us to document their day and it was a wonderful wedding from start to finish. After their wedding ceremony on the lawn of their private villa the bride and groom walked with their guests to their reception location at another extraordinarily beautiful home. On the sweeping grounds of that property was an infinity pool that appeared to vanish into the dramatic Dominican Republic sunset. I asked the bride and groom if they’d mind pausing by the pool for a portrait. In order to get the correct perspective to make the photograph look the way I wanted it to I knew that I would have to get down as close to the water’s level as possible. I chose to photograph the scene with my 24-70mm as wide as possible in order to make the bride and groom look small and the space around them look vast. I instructed the couple to simply walk right to left on the size of the infinity pool. I always think that pictures of people pretending to walk look fake and uncomfortable so if I need action in my photographs I want my clients to actually be doing something active! While watching the bride and groom walk from side to side I studied their bodies’ movements so that I would know exactly when to click the shutter. I wanted grace and fluidity in their arms and legs as well as a natural expression on their faces. I also wanted to wait until they were in the middle of the frame so that they would be the central focal point of the image. I don't often put my subjects in the exact center of the frame but I chose to do so in this photograph because I felt that it added an impact to the composition. With the warmth and the drama of the sky above them reflected in the water below them I knew that I had something special! Had I photographed this same portrait from a different height or with a different lens it wouldn’t have resulted in the same final photo. The end result is a fantastic environmental portrait that truly illustrates the beauty of the destination wedding location that the bride and groom chose for their wedding day.
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